Cosi Fan Tutte Imslp2/13/2021
Dvky vak odoIvaj i pesto, at the oba dva finguj sebevradu z neastn lsky a jsou na posledn chvli vzkeni sluebnou Despinou, kter je podplacena Alfonsem a pevleena za doktora.Sbor a orchestr Royal Opera House, Covent Garden d Georg Solti 2.
Sbor a orchéstr milnskho Teatro aIla Scala d DanieI Barenboim 3. Safari Prvodce opern tvorbou. ISBN 978-80-205-0637-5. He proceeded to go on to compose some of the nearly all important works of art of the Traditional era, like symphonies, operas, chain quartets and piano music. Woodwind Solo. Classical Time period. Trouble: medium. Set of performance components (contains individual pull-out clarinet component). For horn and piano accompaniment. Brass Solitary. Classical Time period. Fixed of performance parts (contains different pull-out horn component). For soprano single voice, alto solitary voice, tenor single voice, largemouth bass solo voice, SATB choir and. For voices (solo and ensemble) and keyboard accompaniment (Score). String Single. Classical Time period. Fixed of performance parts (includes split pull-out violin part). Edited by Y. Brissler. For soprano solitary voice, alto single voice, tenor solo voice, striper solo tone of voice, SATB choir and keyboard accompaniment. Henle Music Folios. Pages: 157. Common Period. SMP Degree 10 (Advanced). For soprano solo voice, alto solo tone of voice, tenor single voice, largemouth bass solo voice, SATB choir and piano accompaniment (SATB). Choral Huge Works. Problems: medium to medium-difficult. For 2 violins. Classical Period. Trouble: easy to easy-medium. Established of functionality components (includes different pull-out flute component). Edited by Nathan Broder. Piano. For solitary piano. Collection. Regular notation (will not include words and phrases to the tunes). Pages: IX and 145. Violin Duets. Fór violin duet. Duet notation and preliminary text. Released by Heinrichshofen Verlag. For 5 soprano tone of voice solos2 tenor tone of voice solos4 bass voice solosmixed choir2 fIutes2 oboes2 cla.
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